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Compound Notes

Multiplying the tonic by 2, 3 and 5 creates the octave, fifth and third respectively. The ear hears these intervals very well. We can easily sing them. Each one has a feel, a sort of harmonic flavor, that makes a fifth a fifth and a third a third. It turns out that the ear can…

The Major Third

Multiplying a note by 2 creates an octave, and multiplying it by 3 creates a perfect fifth. Multiplying by 5 gives yet another new note, the pure major third.5-1 5/1 is over two octaves above the original note, so you have to reduce it twice (divide by 4) to get it down into the same octave.5-4…

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Octave Reduction

Doubling the frequency of a note certainly changes it. The ear hears a higher-pitched note. But there is something in the essence of the note that does not change, a character that stays consistent through the octaves. This allows a process called octave reduction. When you’re working with notes as ratios, it’s convenient to multiply or…

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Notes and Intervals

A note, in music, is a sound with a particular pitch. Pitch is frequency, measured in cycles per second, or Hertz (Hz). The faster the vibration, the higher the pitch. A vibration, at, say, 220 Hz, all by itself is a note by that general definition. But the note doesn’t acquire its distinct personality until it’s…