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Posted by on Aug 20, 2013 in Just Intonation, Recordings, The Lattice | 1 comment

Real Girl, Animated

Here is my third stop-motion animation of a full song.

Real Girl uses a custom nine-note scale. It occupies the Southeast quadrant of the lattice, the zone of the natural minor, with two added notes — the 7, which allows for a major V chord in the progression, and the 7b5, a blue note that is showcased often in the melody.

This scale contains a sharp dissonance, between the b6 and the 7.  I go back and forth between those two notes a lot, with a stop on the 1 in between to help ease the transition.

Watch how the melody and bass chase each other around. In the next few blog posts, I’ll slow this dance down, and show how the polarity flips create tension and resolution. When the melody is below and to the left of the bass, the energy is reciprocal, tense. Then one or the other moves so that the melody is above and to the right, the energy becomes overtonal, and the tension resolves.

Another fun thing to watch is the alternating bass. Roots and fifths are right next to each other on the lattice. The red lens swings like a pendulum throughout the verses.

1 Comment

  1. Gary! Fabulous. Great lyrics. You have a gift for contemporary storytelling.

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