Flying Dream Score

I was asked on the Just Intonation Network Facebook group if I could provide a score for the Flying Dream video, showing the positional notation and all the chords. I went back through my notes and found the score I used to make the movie. Here it is, complete with souvenir coffee stains from various San Francisco cafes.

I created a custom notation system for the project, and some of you might find it useful for your own work. I used a standard five-line staff, with the center line as the tonic. Here’s the notation:

I chose to put the center of the lattice in the center of the staff — but the space above the center line would also be a good place for the 1 (tonic). That would put it where “C” lies on the treble clef, which might be more intuitive for an experienced sheet music reader.

There is no signature in this score, but they are possible. Rather than a key signature, you would have a “mode signature.” Major keys would have no sharps or flats. Mixolydian would have one flat, Dorian two flats, Aeolian three flats and so on. The system is purely positional and independent of key.

Here is the manuscript for Flying Dream. You may download it all as a .zip file by clicking this link: Flying Dream Positional Score. You may use this notation system in your own projects if you include an attribution (see license below). If you have any questions, please feel free to write me through the contact page.

By the way, the numbers written near the notes (89, 93, 97 etc.) are video frame numbers and have nothing to do with the music.

Creative Commons License
The song “Flying Dream” is copyright 1985, 2012, 2017 Gary D. Garrett, all rights reserved. The notation system is licensed under a Creative Commons Attribution 4.0 International License. You may share and adapt with attribution; click the link for details.

Enjoy!

Gary

 

Similar Posts

  • Real Girl for Real

    A few weeks ago, I unexpectedly recorded a charming version of Real Girl. I’d been plugging away at the song all afternoon, taking videos to watch and critique, when my housemate walked in. She and I always make each other laugh, no matter what is going on. I don’t know why, we just look at…

  • Mozart on the Lattice

    In one of my favorite passages in Harmonic Experience (p. 104-105), W.A. Mathieu points out that by the time Mozart came around, equal temperament was well enough established that a D# and an Eb could be thought of as the same note. So when Mozart wanted his melody to go back and forth between an Eb and…

  • The Tonic Major Chord

    The tonic is the center of the lattice. A drone note on the tonic establishes the center of that particular musical universe. Adding a major third and a perfect fifth (5/4 and 3/2) further reinforces the center and starts to carve out some territory on the map. This is the tonic major chord: In my…

  • I Was On The Moon

    At last, a new full-song video! Owen Plant is my friend, and an outstanding singer/songwriter. He’s the artist-in-residence at a Georgia resort, a completely engrossing performer, and he has written many beautiful songs. Owen commissioned me to animate the title cut from his new album, “I Was On The Moon,” cowritten by Owen and Christopher…

Leave a Reply

Your email address will not be published. Required fields are marked *