New “Store” Page
I’ve added a store to this site, starting off with the Flying Dream CD. I’m working on several more offerings, will keep you posted!
The physical CD features Cher Odum’s beautiful art, on the cover and on the disc.
I’ve added a store to this site, starting off with the Flying Dream CD. I’m working on several more offerings, will keep you posted!
The physical CD features Cher Odum’s beautiful art, on the cover and on the disc.
A few days ago I got myself a Zoom Q2HD recorder. It’s a good stereo sound recorder with fixed-focus HD video, great for quick ‘n’ dirty live recording. I cracked it out right away, and recorded a couple of living room videos, one in San Francisco and one in Shell Beach. Here they are. Hope…
Here is my third stop-motion animation of a full song. Real Girl uses a custom nine-note scale. It occupies the Southeast quadrant of the lattice, the zone of the natural minor, with two added notes — the 7, which allows for a major V chord in the progression, and the 7b5, a blue note that…
After two years of working mostly with existing material, I’m happy to be writing songs again. This one took me over completely for a few days, and then I spent another couple of weeks recording it and animating it on the lattice. Be Love is a simpler song than Flying Dream, and I think it…
As I’ve analyzed my songs on the lattice, and written new music using it as a tool, I have found that I have a certain palette of notes in my mind, a territory of the lattice that I can hear and think with. The notes in this portion are distinct individuals for me. Each one…
I want to show you some lattice movies of how I’ve used blue tritones in my own music. Real Girl has several examples. The clearest is a guitar lick in the chorus: That 7b5 is tasty over the bVI chord. For an instant, it makes a “barbershop seventh,” the 7th harmonic of the root. Here…
In 1739, the great mathematician Leonhard Euler published something he called a Tonnetz, German for “tone network.” It looked like this: Euler’s Tonnetz organizes the notes into a matrix, instead of a scale. Moving down and to the left represents motion by an interval of a fifth (V) in musical space. Down and to the right…